Page History

Bib description:

1. When does the artist's name considered part of the title proper (when at head of title) and goes in 245 |a?

Some are obvious by proximity of the artist's name to rest of title - then record name as 245 |a and add 246:30 for the rest of the title.

...

If not entered under the artist's name, add a 246 for this access.

2. If a book if primarily reproductions of art, do I need to add a 336 for still images?

It's recommended.  Some at ARLIS are starting to add these.

3. Should I add a 700 for artistic content (if artist is not main entry)?

It's recommended unless the book if primarily text, like a biography.

4. Should I add analytics for a named essay included in an art book?

You can in RDA, but you can't have a relationship designator and a |t title analytic. If you want to retain relationship designators, then a quoted note may be better. Note: related works don't have to be traced in added headings in RDA

Subject headings:

1. H1250#2H1250#2. 'Art by a single artist' states we should assign additional headings for style or movement, theme, location, and ownership, but I see many variation in this practice.  What is recommended?

These are not as necessary for the very general headings, such Art, Modern. Add for less common topics, such as Minimal art.  Note that LCSH gives narrower terms, so try to be as specific as possible.

2. +The use of the form subdivisions 'Catalogs' \[H1360\] and 'Exhibitions' \[H 1593 is very confusing even after reading the SHM blurbs.  Any advice?+

A dealer (person or form) who has created a publication showing his wares for sale  = catalog.

...

The subdivision 'exhibitions' trumps the subdivision 'catalogs'.

3. What is the difference between "Art, Chinese" and "Art objects, Chinese"?

"Art, Chinese" is actually a pattern heading (H 1148) and does not cover the cover the decorative arts, such as art objects in NK, or architecture, among other things.

"Art objects |z China" are art objects in China whether Chinese or not

Classification:

1.  In regards to artists' organizations the schedules seem inconsistent.  For England firms are included under special artists:

...

                  Subarrange individual artists by Table N7 \[note no mention of families or firms\]

In the latter case, how does one handle the cuttering of firms/artists' organizations?

While there are variations in how an individual artist may be cuttered, there is some basic consistency in the classification for individual artists. Sometimes they get a whole number like NK942, sometimes they have to be crammed into a cutter such as N7255.S563. There is U.S. and western European bias. As the new countries developed in Europe, there was room only for extended cutters. This means that Slovenian artists don't have the space that British or American artists have. For some countries, there may not even be a breakdown for artists. The consistency generally comes in the range of numbers for a particular place, often a general number followed by some chronological or stylistic numbers, and then followed by cuttering for individual artists. The subdivision table related to how much space is allotted, and that varies.

2. What is the difference between about artist groups, movements, firms?

Artist groups are of two types-in terms of est. them in the authority file.  First one is an artist group that is informally created by the members and sometimes its name is given to them retrospectively. They don't collectively promote or advertise the work of the group. They cannot be considered corporate bodies. Groups such as this are est. using subject cataloging conventions and reside in the subject file. The qualifier is (Group of artists)-an example is the 150:: Blaue Reiter (Group of artists). 

...

The class numbers for the second type of group are given the same way. Style, if any; country; century, etc. I assume that books on an individual artist in that group would get the class number for special artists within the country class number.

3. When an artist has done more than one media, should we try to collocate an artist into one media?

No.

4. What is the proper use for A4 for exhibition catalogs?

Use Table N6 where indicated in the N schedule.  This is not applicable to the TRs for artistic photography.  A4 is used for collections of reproductions  including exhibition catalogs.

5. Classification frequently involves knowing the 'nationality' of the artist. Some are born in one country, but spend much of their creative life in another.  Where do they get classified?

Generally artists are classed where they are born.  Cornell puts Picasso, for example, with Spanish rater than French artists.  The catalog is very mixed, however, since we accept copy. The ULAN link below may help determine 'nationality' in confusing cases.

Access points:

1. Is there a preferred of relationship designators for a single access point?

No, but each is given it's own |e

...

Cull, Dave \|c (Writer on art) \|e writer of added text  \[Note there is no comma after \|c and before \|e\]

2. What is the main entry for auction and sales catalogs?

LC practice: Enter an auction catalog or a sales catalog of an art dealer, gallery, etc., under the heading for the dealer, gallery, etc., according to category a of 21.1B2 ("its resources (e.g., catalogues, inventories)") although the dealer, gallery, etc., may have only temporary custody of the contents represented in the catalog. For monographs, make an added entry under the heading for the person or body from whom the contents of the catalog emanated if the person or body is named in the chief source. (If the catalog is devoted to the works of a single artist and contains the reproductions of the artist's works, apply LCRI21.17B.)

...

It depends on how many you have.

2. What is the main entry for exhibition catalogs by a corporate body?

RDA rules for this are the same as AACR2 rules.

3. What is the main entry for exhibition catalogs by an individual artist?

Generally in RDA, the artist is considered one of the creators and should get main entry. AuthorsIf a collaboration, authors, editors, curators should get added entries.

...